a dyke bar for queers, gender chameleons and other everydeities
Opening: 20. April 2018, 19:00 Uhr
For the duration of the “Year of the Women*”, the cafe within Schwules Museum will be transformed into a dyke bar, envisioned and realized by the interdisciplinary artist collective consisting of Ernest Ah, T Blank, and C Detrow.
Bars, pubs, ballrooms, and clubs have always served as safe havens for queer people, both as places to meet up and celebrate, as well as spaces to organize politically. From the women’s clubs of Weimar Berlin in the 1920s to the legendary Stonewall Inn in New York in the 1960s and 1970s and the women’s collective cafes in squatted houses in 1980s Berlin, these spaces, run commercially as well as independently, have acted not only as places of refuge from the external demands of a hegemonic society and oftentimes homophobic families of origin, but also as the birthplaces of many contemporary political movements.
SPIRITS presents a restaging of the dyke bar by encapsulating an iconic part of queer culture. The installation deals with the disappearance of these self-organised spaces, resulting from the dire forces of capitalist exploitation and gentrification affecting “lesbian” spaces and leading to their death, while “gay” spaces by and for a cis-male clientele have historically been kept afloat through commercial practices and profit-based business models. Moreover, SPIRITS addresses the age-old issues of inclusion and exclusion present within queer communities, and with this, the ongoing debates around access to space: by whom and for whom is queer space engineered?
SPIRITS is not a singular eulogized cry for the disappearing dyke bars of the past, places that have served central roles in lesbian communities for decades on end; it is a complex effort to pose the difficult question of how, exactly, to revive the dyke bar, bringing back a queer consciousness that actively rejects the “ladies only” exclusionary tactics of lesbian bars prior, while still holding dear and celebrating the hard work of past generations of lesbian activists, and their efforts to establish sacred, queer spaces. How, SPIRITS, prods, can tradition and the generative power of the dyke serve as a productive link between acknowledging the past, situating the present, and moving forward to envision a collective dyke future?
We understand the word dyke to describe queer people who have at some point in their lives experienced either chosen or prescribed femininity for prolonged periods of time. As dykes, we embrace the word as a broader and more inclusive term than Lesbian. Dyke as a word has been reclaimed from being a slur and strongly politicized in the homosexual liberation struggles in the US. Dyke can also include individuals who do not identify as women or on the binary gender spectrum and feel otherwise excluded from lesbian community and history. We use the term in its most expansive sense, and recognize that gender and identities are complex and fluid.
How can we envision a dyke bar in and of the future? In seeking new formations and considerations of spaces and places, SPIRITS begs the question: what has become of the contemporary virtual spaces that cyberfeminism began to utilize with sweeping energy in the beginnings of the internet? And looking ahead, how can the dyke bar be reimagined, reinstated? What ideas for a new framework can be taken from feminist science fiction? What kind of spaces exist between a queer notion of fluidity and the continued reality of forced attributions? What insights and perspectives can be offered given the historical overlaps between the witch trials of the early modern period and the simultaneous suppression of alternative knowledges, and with this, the broad expansion of contemporary western capitalism and colonialism; in a sense, corresponding battles over material, social, and spiritual space.
Functioning as both installation and intervention, SPIRITS breaks ties with the traditions of an institutionalized museum praxis. Through inviting guests into an interaction with the space, the dyke bar becomes a departure from the classic exhibition format. Prompting visitors to engage with the herstories of yore in a shared social space, SPIRITS reflects on the past while maintaining a forward-looking vision for contemporary and future collective work.
The opening on 20.04. will feature a performance by Noirphiles/Adrian Blount (USA) and a DJ set by Nai. The evening will also provide an opportunity for guests to partake in Dyke Power arm wrestling.
Adrian Blount’s performance, “The Living and Our Ghosts” bears witness to the marginalization of LGBTQIA people of color, posing the questions: how can we be witnesses for the marginalized? How do the ancestors guide us to become witnesses? “The Living and Our Ghosts” holds space for those spaces of uncertainty, ugly, undefined and Intangible.
Nai’s music style is heavily influenced by the drum of a heartbeat. She plays regularly on Berlin Community Radio, and programmes the new “Vinyl Thursdays” at Südblock where she has a monthly residency.
In addition to the opening of the dyke bar, the fourth installment of the year-long queer-feminist film series 12 Moons Film Lounge will run from April 16th to May 14th. The program entitled “Dykes and Economy” will screen films dealing with capitalism, colonialism, sexism, and the idea of state-sanctioned disposable bodies through a critical, lesbian-queer lens. The films will be available for collective viewing in the 12 Moons Film Lounge on the evening of the SPIRITS opening.
Please contact us to organize interviews with the artists and curator Vera Hofmann.
Opening 20. April, 19:00, Schwules Museum, Berlin
Entry free and open to the public.
The bar will be open for evening events and during the museum’s regular hours:
Sunday, Monday, Wednesday and Friday, 14:00-18:00, Thursday, 14:00-20:00,
Saturday, 14:00-19:00, Tuesday closed.
The press photos can be used exclusively to report on the event, credits included.